mUltimate Chopin

Op. 63 No. 1, Mazurka in B major

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Graphic ambiguousness
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Pedalling
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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Pedalling
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Pedalling

b. 16

composition: Op. 63 No. 1, Mazurka in B major

  in AI

  after AI

No markings in FE (→GE,EE)

Our variant suggestion

Our variant suggestion
..

category imprint: Differences between sources; Corrections & alterations

b. 27

composition: Op. 63 No. 1, Mazurka in B major

No markings in AI

  in FE (→GE,EE)
..

category imprint: Differences between sources; Corrections & alterations

b. 33-34

composition: Op. 63 No. 1, Mazurka in B major

  in AI

No markings in FE (→GE,EE)

Our variant suggestion
..

The missing pedal markings in these bars in the sources are most probably Chopin's oversight in [A], since the marks are present in all three analogous places (bars 37, 43, 47). Due to the above, in the main text we give (in a variant form) the indication written down in AI.

category imprint: Differences between sources; Editorial revisions

b. 35-48

composition: Op. 63 No. 1, Mazurka in B major

No markings in AI

Pedalling in FE (→GE,EE)
..

category imprint: Differences between sources; Corrections & alterations

b. 69

composition: Op. 63 No. 1, Mazurka in B major

  in AI

No markings in FE (→GE,EE)

Our variant suggestion
..

The pedal markings are missing most probably due to an oversight by the engraver of FE or by Chopin himself in [A], although pedal markings are not necessary here, harmonically speaking. Therefore, in the main text we include in a variant form the indications drawn from AI.

category imprint: Differences between sources; Editorial revisions