Issues : Errors repeated in FE
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b. 16
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we include the naturals before the penultimate R.H. octave (d3-d4) present in GE and EE. The absence of those accidentals in FE suggests that they were not included in the manuscripts and that the revisers of EE and GE added them while correcting an overlooked cancellation of alteration (typical of Chopin). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors repeated in FE |
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b. 34
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composition: Op. 44, Polonaise in F♯ minor
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In FE (–>EE1) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Errors repeated in FE , Errors repeated in EE |
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b. 41
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composition: Op. 44, Polonaise in F♯ minor
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In FE (→EE1) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors repeated in FE , Errors repeated in EE |
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b. 58-59
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composition: Op. 44, Polonaise in F♯ minor
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In FE1 there is not a single category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , Omission of current key accidentals , FE revisions , Errors repeated in FE |
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b. 67
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 41, in FE (→EE1) there is no category imprint: Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors repeated in FE , Errors repeated in EE |
to the bottom note of the last L.H. octave. The patent oversight, most probably by Chopin, was corrected in 
2 in the last octave in the bar. The mistake was corrected in 
raising g
to g (in various octaves). The mistake, almost certainly committed by Chopin, was corrected in