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Source: 
p. 5, b. 59-77
p. 1, b. 1-8
p. 2, b. 9-25
p. 3, b. 26-42
p. 4, b. 43-58
p. 5, b. 59-77
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 74-77

The initial version of the ending of the Prelude (which can be deciphered from under the crossings-out in A) differed quite significantly from the final one – the passage reached only D, and the piece ended an octave higher: . In that version, it is noteworthy that the passage contains e3, e2, e and E, but not e1.

The next version may have looked like the one presented below: . Eventually, Chopin forwent all the aforemen­tioned e notes (he only left E1, which was added later) and added B1, thus providing the general part of the passage with a homogeneous course, based on the b-a-f-d sequence.

Compare the passage in the sources »

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A, Deletions in A, Main-line changes

notation: Pitch

Missing markers on sources: A, FC, FE1, FE2, FED, FES, FEJ, FESch, GE1, GE2, GE3, EE1, EE2, EE1a