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Source:
p. 2, b. 9-25
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in To the main text we adopt the notation of the trill with a wavy line, in spite of the fact that in A Chopin wrote only 
. A comparison of all 6 bars with trills (b. 10, 12, 16, 28, 30 and 34) shows that Chopin considered both types of notation to be equal; he would write a wavy line wherever there was a bigger gap between the notes. It is difficult to say what was Fontana's motivation when he was adding a wavy line after the mark in FC (→GE) here.
category imprint: Interpretations within context; Differences between sources; Editorial revisions
issues:
notation: Ornaments
Missing markers on sources:
A, FC, FE1, FE2, FED, FES, FEJ, FESch, GE1, GE2, GE3, EE1, EE2, EE1a