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Source:
p. 3, b. 26-42
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The crossings-out visible in A reveal that the initial motif of this phrase (from c1 to b1) was initially provided with shorter slurs, adjusted to the earlier rhythmic version. The a1 quaver and the c2 semiquaver were separated by a semiquaver rest (as it is in b. 8), and the slurs encompassed three notes before the rest and two after the rest.
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category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A, Main-line changes
notation: Slurs
Missing markers on sources:
A, FC, FE1, FE2, FED, FES, FEJ, FESch, GE1, GE2, GE3, EE1, EE2, EE1a