Page: 
Source: 
p. 3, b. 26-42
p. 1, b. 1-8
p. 2, b. 9-25
p. 3, b. 26-42
p. 4, b. 43-58
p. 5, b. 59-77
A - Autograph
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
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No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Important
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copy link PDF A - Autograph


  b. 34

 in A (→FEEE) & GE

in FC

In the main text we give a trill with a wavy line, although Chopin wrote only  in A. The Chopinesque trills are written down with or without wavy lines, which does not influence the performance in the case of an ornament with a written-out ending. It is difficult to say what the motivation of Fontana was when he was adding a wavy line after the  mark and of the engraver of GE when he was omitting that element.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Fontana's revisions

notation: Ornaments

Missing markers on sources: A, FC, FE1, FE2, FED, FES, FEJ, FESch, GE1, GE2, GE3, EE1, EE2, EE1a