Page: 
Source: 
p. 3, b. 26-42
p. 1, b. 1-8
p. 2, b. 9-25
p. 3, b. 26-42
p. 4, b. 43-58
p. 5, b. 59-77
A - Autograph
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Articulation, Accents, Hairpins
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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copy link PDF A - Autograph


  b. 40

In A Chopin probably changed the rhythm of the last two notes from quavers to a dotted rhythm. The correction is evidenced by the evenly spaced notes (the gap between the 1st and the 2nd notes is even slightly greater than between the 2nd and 3rd) as well as by the semiquaver beam, placed too low and clumsily, which suggests that it was added later. Similar corrections were probably introduced also into further bars – see b. 44-53.

Compare the passage in the sources »

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A, Main-line changes, Dotted or even rhythm

notation: Rhythm

Missing markers on sources: A, FC, FE1, FE2, FED, FES, FEJ, FESch, GE1, GE2, GE3, EE1, EE2, EE1a