Page: 
Source: 
p. 3, b. 26-42
p. 1, b. 1-8
p. 2, b. 9-25
p. 3, b. 26-42
p. 4, b. 43-58
p. 5, b. 59-77
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 41-42

    in A (→FEEE) & contextual interpretation of FC 

   in GE

Fontana omitted the  mark at the beginning of b. 41 in FC, leaving a lonely  asterisk at the end of b. 42. GE completed the pedalling; however, in the face of varied L.H. figures in these bars, a separate pedal was added in each of them. The crossing-out of the  mark at the end of b. 41, visible in A, proves that Chopin consciously combined them with pedal. Crossings-out of those marks in similar situations are also present at the end of b. 9, 20 and 54.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections in A, GE revisions, Deletions in A, Errors of FC

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, FED, FES, FEJ, FESch, GE1, GE2, GE3, EE1, EE2, EE1a