Issues : Abbreviated notation of A

b. 2-8

composition: Op. 28 No. 24, Prelude in D minor

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In A (→FC) the L.H. part is marked in these bars (as well as in b. 9) in an abridged manner as repetition of b. 1.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 26-42

composition: Op. 28 No. 24, Prelude in D minor

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In b. 26, 27 and 40, the L.H. part in A (→FC) is marked with / as repetition of the preceding bar. Abridged notation is used in the manuscripts also to mark the 2nd half of the bar in b. 29-37, 39 and 41-42. Out of the editions, in was only FE that used a similar notation, although to a lesser extent – in all the aforementioned bars, their second halves were marked with a / mark.

category imprint: Differences between sources

issues: Abbreviated notation of A , FE revisions

b. 43-58

composition: Op. 28 No. 24, Prelude in D minor

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In each of b. 44-46, 49, 52, 56 and 58, the L.H. part is marked with a / in A (→FC), which implies that the preceding bar should be repeated. Moreover, in FC the copyist, contrary to A, marked entire b. 48 in such a way. The abridged notation was used in the manuscripts also in the remaining bars to mark the 2nd half of the bar – b. 43, 47, 48 (only A), 50, 51, 53-55 and 57. Similar notation was also used in FE, where the 2nd half of the bar was marked with a / in b. 43-54 and 57-58.

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A , FE revisions , Fontana's revisions