Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 24, Prelude in D minor
Chopin started crossing out and correcting the R.H. part; afterwards, he decided to rewrite the entire bar, on the staves above. The changes probably concerned two elements:
- rhythm in the 1st half of the bar, which initially did not include a semiquaver rest –
; - notation of the grace notes, which were small semiquavers in the crossed-out version.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A, Main-line changes
notation: Rhythm