Page: 
Source: 
p. 1, b. 1-27
p. 1, b. 1-27
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Pitch
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Articulation, Accents, Hairpins
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 24

No pedal in A, contextual interpretation

  in FC (→GE) & FE (→EE)

In the 1st half of the bar, the only mark in A is a , without a , which should precede it. Both FC (→GE) and FE (→EE) considered it an oversight and added a  at the beginning of the bar. However, it may be likely that Chopin's mistake consisted in placing the  asterisk cancelling the  mark from b. 21 too far and leaving it there (not crossing it out), in spite of adding the right  mark at the end of b. 22. We consider this interpretation to be more likely and give it in the main text.

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category imprint: Differences between sources

issues: Errors resulting from corrections, Errors of A, FE revisions, Fontana's revisions

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, GE1, GE2, GE3, EE1, EE2, FED, FEJ, FES, FESch, EE1a