![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Corrections in A
b. 13
|
composition: Op. 28 No. 11, Prelude in B major
..
In A one can see that Chopin initially wrote e as the 1st quaver; it was only afterwards that he crossed it out and replaced it with E. See also the Prelude in A Major, b. 13 and 15. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
|
b. 24
|
composition: Op. 28 No. 11, Prelude in B major
..
The crossing-out in the L.H. part visible in A allows us to decipher the initial version of the 2nd crotchet of the bar as an arpeggiated F category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |