mUltimate Chopin

Op. 28 No. 10, Prelude in C♯ minor

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Page: 
Source: 
p. 1, b. 1-18
p. 1, b. 1-18
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
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Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 3-5

3 slurs in A (→FC,FE→EE)

Continuous slur in GE

The continuous six-bar slur of GE is one of the more glaring examples of the flippant approach of the Breitkopf engravers to the Chopinesque slurring – cf. the characterization of GE1 in the first movement of the Concerto in F Minor, Op. 21.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Slurs

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
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