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Source: 
p. 1, b. 1-18
p. 1, b. 1-18
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 18

f in A (probable interpretation→FEEE)

g in FC (→GE)

The bottom note of the semiquaver chord was written in A imprecisely, as a result of which it is uncertain whether Chopin meant f or g. According to us, the note is to be interpreted as f, since it covers the full width of the line – cf. a similarly placed f note a line higher, on the 2nd beat of b. 12. Fontana, as a professional musician, could have been influenced by a similar chord two bars earlier.

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category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate note pitch in A

notation: Pitch

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a