mUltimate Chopin

Op. 28 No. 21, Prelude in B♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 30-59
p. 1, b. 1-29
p. 2, b. 30-59
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Importance
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Important
Main
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Prezentacja
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  b. 49-53

No fingering in A (→FE,FC→GE)

Fingering in EE in bars 49 & 53

Fingering written into FES in bar 49

In the main text we include the fingering entered by Chopin into FES. In turn, nothing indicates that the different fingering of EE could be authentic.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, EE revisions, Annotations in FES

notation: Fingering

Missing markers on sources: A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a
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