mUltimate Chopin

Op. 28 No. 21, Prelude in B♭ major

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Page: 
Source: 
p. 1, b. 1-29
p. 1, b. 1-29
p. 2, b. 30-59
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Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 28

In the sources there is no  lowering d1 to d1. Chopin's attention was caught by the beginning of the bar – he removed g1 from the 1st quaver; he also crossed out the second one and rewrote it next to it. 

Compare the passage in the sources»

category imprint: Interpretations within context; Editorial revisions

issues: Omission of current key accidentals, Inaccuracies in A, Errors repeated in GE, Errors repeated in FE, Errors repeated in EE

notation: Pitch

Missing markers on sources: A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a
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