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Issues : Errors of FC
b. 4
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composition: Op. 28 No. 21, Prelude in B♭ major
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Interpreting the top note of the 6th L.H. quaver, e To eliminate the possibility of creating incoherent combinations of variants from different notes, we include the fingering of EE and FES, which applies to the e category imprint: Differences between sources issues: EE revisions , Rhythmic errors , Deletions in A , Errors of FC , Inaccuracies in A |
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b. 4
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composition: Op. 28 No. 21, Prelude in B♭ major
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In FC (→GE) the slur reaches e category imprint: Differences between sources issues: Errors of FC |
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b. 7-12
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composition: Op. 28 No. 21, Prelude in B♭ major
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The missing L.H. slurs in FC (→GE) beginning in b. 7 and 11 (as well as 12 – see note in this bar) most probably resulted from the copyist's inadvertence. category imprint: Differences between sources issues: Errors of FC |
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b. 12-13
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composition: Op. 28 No. 21, Prelude in B♭ major
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In A, the slur starting in bar 12, last in line, indicates a continuation, but its ending is absent from bar 13. We adopt a natural contextual interpretation in accord with the FE (→EE) version. In FC (→GE), the copyist overlooked this slur like the previous one. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Errors of FC , Uncertain slur continuation |
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b. 13
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composition: Op. 28 No. 21, Prelude in B♭ major
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In the main text we include the staccato dot written in A and omitted – almost certainly due to an oversight of the copyist and the engraver of FE – in all the remaining sources. See also b. 17. category imprint: Differences between sources issues: Errors in FE , Errors of FC |