Page: 
Source: 
p. 1, b. 1-12
p. 1, b. 1-12
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A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 9-11

From the last beat of b. 9 to the middle of b. 11, the L.H. octaves are written in A in an abridged manner, with 8. However, Chopin explicitly requested that the abbreviation not be used in print by writing the following note at the bottom of the page in A: "Il faudrait graver en notes les 8ves marquées dans la basse par 8." [One should engrave with notes the 8ves marked in the bass with 8]. Chopin had a hard time choosing the right wording for that note, which can be seen on the basis of the crossings-out and additions, which evidence that it was being gradually specified.

Compare the passage in the sources»

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated octaves' notation

notation: Shorthand & other

Missing markers on sources: CGS, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a