mUltimate Chopin

Op. 28 No. 9, Prelude in E major

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Page: 
Source: 
p. 1, b. 1-12
p. 1, b. 1-12
Main text
Main text
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 12

No  in A (→FC→GE)

 in FE (→EE) & CGS

Chopin would often leave the last  mark without the closing  asterisk – cf., e.g. the Prelude No. 7 in A Major. Therefore, the mark added in FE, most probably by Fontana, almost certainly does not correspond to Chopin's intention. The presence of a  in CGS is one of many details pointing to FE being the basis of that copy.

Compare the passage in the sources»

category imprint: Differences between sources

issues: FE revisions, No pedal release mark

notation: Pedalling

Missing markers on sources: CGS, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
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