mUltimate Chopin

Op. 28 No. 9, Prelude in E major

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-12
p. 1, b. 1-12
Main text
Main text
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Importance
All
Important
Main
Undo Clear
Prezentacja
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  b. 11

Dashes in A (→FE→EE)

No dashes in FC (→GE)

Dashes in CGS

The missing dashes marking the range of cresc. must be an oversight of Fontana in FC (→GE). In CGS the dashes reach only the middle of the bar, which is one of many minor inaccuracies of that copy.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors of FC, Inaccuracies in CGS

notation: Verbal indications

Missing markers on sources: CGS, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
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