Page: 
Source: 
p. 1, b. 1-13
p. 1, b. 1-13
FE1 - First French edition
Main text
A - Autograph
FC - Fontana's copy
AB - Autograph Beauchesne
ACh - Autograph Cheremeteff
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Pitch
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A - Autograph
FC - Fontana's copy
AB - Autograph Beauchesne
ACh - Autograph Cheremeteff
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 13

Long accent in A (→FC,FEEE), ACh & CGS

Short accent in GE

No mark in AB

The type of the accent written down in FC may be unclear if we do not compare it to other accents, e.g. in the Prelude No. 23 in F Major, b. 21, particularly without access to A. It justifies the engraver of GE to a certain extent. The missing accent in AB is compensated by the presence of  – see the note in the previous bar.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents, Inaccuracies in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: CGS, AB, ACh, A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a