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Issues : EE revisions
b. 3
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composition: Op. 28 No. 20, Prelude in C minor
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We add cautionary naturals before d and d1. The accidentals were also added in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 3
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composition: Op. 28 No. 20, Prelude in C minor
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According to us, it is much more likely that the missing category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Omissions to cancel alteration , Errors of A , Annotations in FES |
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b. 7-12
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composition: Op. 28 No. 20, Prelude in C minor
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Due to the fact that b. 9-12 were added in the last phase of composing the Prelude and due to the abridged notation of those bars in A, it is uncertain how many ritenutos Chopin planned and where exactly. There are three possibilities, all are present in the sources:
According to us, musically speaking, it is the ritenuto in b. 11-12 that is most natural, where, along with crescendo, it leads to the final fermata. We suggest this version (based on the assumption that Chopin did not fully adjust the notation of the Prelude to the new formal concept) in the main text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Inaccuracies in CGS |
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b. 8-12
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composition: Op. 28 No. 20, Prelude in C minor
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The missing category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Errors repeated in FE |
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b. 12-13
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composition: Op. 28 No. 20, Prelude in C minor
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The position of the category imprint: Differences between sources issues: EE revisions , Errors of FC , Inaccuracies in A , Errors in CGS |