mUltimate Chopin

Op. 28 No. 8, Prelude in F♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 23-34
p. 1, b. 1-4
p. 2, b. 5-13
p. 3, b. 14-22
p. 4, b. 23-34
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Importance
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Important
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  b. 32-33

Separate slurs in A (contextual interpretation→FC→GE)

Continuous slur in A (literal reading→FE→EE)

Looking at the notation of A, one can have doubts whether in b. 33 Chopin wanted to continue the preceding slur or start a new one. The change of texture and the  mark, emphasizing the minim chord, are arguments for starting a new slur.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate slurs in A, Uncertain slur continuation

notation: Slurs

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a
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