Page: 
Source: 
p. 4, b. 23-34
p. 1, b. 1-4
p. 2, b. 5-13
p. 3, b. 14-22
p. 4, b. 23-34
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 25-26

Separate slurs in A, probable interpretation (→FCGE, →FEEE)

Continuous slur in A, possible interpretation

In A the slurring, somewhat similar to the previous pair of bars, is unclear – the slur in b. 25, at the end of the line, suggests a continuation, which, however, is contradicted by the slur in b. 26, which begins only just over the 3rd demisemiquaver in the bar. Chopin corrected the slur in b. 26 by combining in the middle of the bar the initially written two slurs. Had he wanted to combine this slur with the previous one, he might have also corrected its beginning; consequently, we consider the fact of leaving the undoubtedly inaccurate beginning of the slur uncorrected to be an argument for divided slurs, which we give in the main text.

Compare the passage in the sources »

category imprint: Graphic ambiguousness

issues: Inaccurate slurs in A, Uncertain slur continuation

notation: Slurs

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a