Page: 
Source: 
p. 3, b. 14-22
p. 1, b. 1-4
p. 2, b. 5-13
p. 3, b. 14-22
p. 4, b. 23-34
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 17

b1 in sources, contextual interpretation

a1 suggested by the editors

In all sources, the 3rd demisemiquaver in the 2nd group is a b1 (literal interpretation). It is the initial uncorrected version, left by inadvertence – in A, initially, the 3rd demisemiquaver in the first two figures of each of b. 15-18 was a b1, which Chopin then changed to a1 in 7 out of 8 places. Such an oversight in correcting one of a few analogous places would happen to Chopin on a few occasions. The fact that he forgot the discussed note while performing corrections is also evidenced by it having been left without a , which was before the respective note of the 1st group of the bar in the initial version.

Compare the passage in the sources»

category imprint: Interpretations within context; Editorial revisions

issues: Omission of current key accidentals, Errors of A, Omitted correction of an analogous place, Errors repeated in GE, Errors repeated in FE, Errors repeated in EE

notation: Pitch

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a