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p. 2, b. 5-13
p. 1, b. 1-4
p. 2, b. 5-13
p. 3, b. 14-22
p. 4, b. 23-34
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FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
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FC - Fontana's copy
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FED - Dubois copy
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FES - Stirling copy
FESch - Scherbatoff copy
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  b. 5-13

In this Prelude Chopin generally did not use accidentals before the top notes in broken octaves – see b. 1-4. In the discussed bars, the problem concerns the following cases:

  • in b. 5 e2,
  • in b. 7 d3 and d3,
  • in b. 8 c3, c3 and b2,
  • in b. 9 b2, b2, a2, g2 and c3,
  • in b. 10, c3, c3, b2 and a2,
  • in b. 11 c3 and b2,
  • in b. 12 g2, f2 and g2,
  • in b. 13 g2, f2 and c2.

Such a notation is in A (→FC,FE), whereas EE1, EE2, GE1 and GE2 added the majority of the necessary accidentals (17, 20, 21 and 22 out of the necessary 23, respectively).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Accidentals in different octaves, GE revisions, Inaccuracies in A, Errors repeated in GE, Errors repeated in FE, Errors repeated in EE

notation: Pitch

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a