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Issues : Omissions to cancel alteration
b. 4
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composition: Op. 28 No. 8, Prelude in F♯ minor
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When interpreted literally, the version of A (→FC→GE1), in which the 4th demisemiquaver on the last beat of the bar is an a category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A , FE revisions |
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b. 7
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composition: Op. 28 No. 8, Prelude in F♯ minor
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There are no accidentals before the last pair of demisemiquavers in A. Therefore, they should be interpreted as c category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , Errors of A |
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b. 13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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The version with f category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , FE revisions |
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b. 19
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composition: Op. 28 No. 8, Prelude in F♯ minor
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None of the sources includes a category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 21
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In the sources, there are no accidentals before the first and last notes of the 3rd L.H. figure. Therefore, the bottom one should be interpreted as a category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |