Issues : Inaccuracies in FE
b. 1-2
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composition: Op. 28 No. 8, Prelude in F♯ minor
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The long accents written in A (→FC) were not reproduced correctly in any of the editions. Both the shorter marks in FE and their omission in GE could have been related to a very dense and not always rational vertical text layout. The change of the accents' font in EE is a revision, typical of that edition, while the omission of the third mark – an oversight. category imprint: Interpretations within context; Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE , Errors in EE , Errors in GE |
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b. 14
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composition: Op. 28 No. 8, Prelude in F♯ minor
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The later starting point of the hairpin in FE (→EE) is an inaccuracy, perhaps caused by lack of space between the staves. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 25-26
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composition: Op. 28 No. 8, Prelude in F♯ minor
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As a result of narrow spaces between the staves, in A it is uncertain which part the 6 long accents written there are supposed to concern. It also leads to doubts about their number – the marks applying to the R.H. part could be included in the range of the repeat signs used to mark the 2nd and 4th groups of demisemiquavers. This is how it was interpreted in all editions, where 8 marks were printed. According to us, the 6 (and not 8) accents are certainly supposed to emphasize the tenor voice, constituted by the topmost notes, marked with accents, of the L.H. figures. The change of all or some accents to short ones is a frequent arbitrary intervention of Chopinesque first editions. category imprint: Interpretations within context; Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE , Inaccuracies in FE |
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b. 30
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composition: Op. 28 No. 8, Prelude in F♯ minor
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The mark in A is clearly shorter than the respective one in analog. b. 28, hence one could interpret it as a long accent. According to us, it is more likely that, in the face of the preceding it mark, Chopin meant a diminuendo hairpin. In the main text we keep the slight difference in the range of the marks between those bars, visible in A. Both FC (→GE) and FE (→EE) clearly extended the marks, whereas FC (→GE) also shortened the mark. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in FE , Scope of dynamic hairpins , Inaccuracies in FC |