Issues : EE revisions

b. 10

composition: Op. 28 No. 8, Prelude in F♯ minor

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In the 1st group of demisemiquavers in this bar, one can see in A a crossed-out accidental – most probably a  – before the 3rd demisemiquaver. Formally, the accidental is not necessary here; it is absent both in FC and FE (→EE1). However, the presence of the f pedal note as well as f2 at the end of the previous bar justify its addition in the form of a cautionary accidental, which was performed in GE and EE2.
See also the next note.

category imprint: Differences between sources; Editorial revisions; Corrections & alterations

issues: EE revisions , GE revisions , Cautionary accidentals , Deletions in A

b. 11

composition: Op. 28 No. 8, Prelude in F♯ minor

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In the main text we add a reminder  before g2 at the end of the bar. The accidental was already added in GE and EE

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 12

composition: Op. 28 No. 8, Prelude in F♯ minor

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In A (→FC,FE) there is no  lowering e to e in the last L.H. figure. The patent inaccuracy was corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE

b. 13

composition: Op. 28 No. 8, Prelude in F♯ minor

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In A (→FC,FEEE1) there is no accidental before the 1st note in the last group. It must be Chopin's oversight – this and the next bar constitute a cadence in C major, and an enharmonic notation of degree 1 of that key does not make sense. A respective addition in the form of a flat lowering b to b was introduced in GE and EE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE , Errors repeated in EE

b. 14-22

composition: Op. 28 No. 8, Prelude in F♯ minor

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In this Prelude Chopin generally did not put accidentals before the top notes of broken octaves – see b. 1-4. In the discussed bars, the problem concerns the following notes:

  • in b. 14 c2, d2, d2 and e2,
  • in b. 15 and 17 e2, d2, f2 and g2,
  • in b. 16 e2, d2, f2 and b2,
  • in b. 18 e2, d2, f2 and e2,
  • in b. 19 e2,
  • in b. 21 a2, b2 and e3.

Such a notation is in A (→FC,FE), whereas EE, GE1 and GE2 added the majority of the necessary accidentals (21, 18 and 22 out of necessary 24, respectively).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE