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Source:
p. 3, b. 49-71
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The crossings-out in A allow us to partially decipher the initial notation of the final bar, in which we can see a removed grace note and a curved line: 
. However, if we were to take into account also the differences in the shape and shade of the noteheads, which indicate that the three minims in the chord were added later, the version could have looked as follows: 
. Cf. the ending of the Prelude No. 22 in G Minor.
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category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A, Accompaniment changes, Main-line changes
notation: Pitch
Missing markers on sources:
A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a