mUltimate Chopin

Op. 28 No. 19, Prelude in E♭ major

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p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-71
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 13

In A there is no  lowering g1 to g1 in the 1st triplet and no  raising f1 to f1 in the 3rd triplet. What is more, the crossing-out before the first note suggests that Chopin crossed out the initially written  (see b. 29). The accidentals were added in GE and EE2 (in EE1 only the ). 

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Accidentals in different octaves, GE revisions, Inaccuracies in A, Errors repeated in FE, Errors repeated in EE

notation: Pitch

Missing markers on sources: A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a
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