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Source:
p. 3, b. 49-71
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b. 70
The crossings-out in this bar show that Chopin was looking for the right way to end the Prelude. Among the crossed-out elements, one can distinguish:
- arpeggios before the R.H. and L.H. chords,
- e-b-e1 crotchet chord on the bottom stave (interpreted in the bass clef),
- g-b third on the bottom stave (interpreted in the treble clef). Perhaps Chopin started writing the g-b-e1-g1 chord, yet decided to place it an octave higher.
See also the note in the next bar.
Compare the passage in the sources»
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A, Accompaniment changes
notation: Pitch
Missing markers on sources:
A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a