Issues : Deletions in A
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b. 1-8
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composition: Op. 28 No. 19, Prelude in E♭ major
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In A one can see crossed-out three-quaver slurs running from the 2nd quaver of each triplet to the 1st quaver of the next one. One can assume that the crossing-out was related to the legato indication added at the beginning of the Prelude. At the beginning of the Etude in A category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 18-20
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composition: Op. 28 No. 19, Prelude in E♭ major
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In b. 18 and 20 Chopin changed in A the last L.H. note from g category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 19
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composition: Op. 28 No. 19, Prelude in E♭ major
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The crossings-out visible in A show that Chopin initially wrote in this bar 3 pedals, one for each triplet. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 26-28
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composition: Op. 28 No. 19, Prelude in E♭ major
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As was the case in b. 18 and 20, Chopin changed in A the last L.H. note from g category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 29
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composition: Op. 28 No. 19, Prelude in E♭ major
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In A one can see crossed-out category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Accidentals in different octaves , GE revisions , Deletions in A , Inaccuracies in A , Errors repeated in FE |
Major
and 
before the 5th and 6th R.H. notes, which is yet another proof that the composer was convinced that accidentals were valid also in adjacent octaves (at least in such a context). The accidentals were added only in