Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 1-8

In A one can see crossed-out three-quaver slurs running from the 2nd quaver of each triplet to the 1st quaver of the next one. One can assume that the crossing-out was related to the legato indication added at the beginning of the Prelude. At the beginning of the Etude in A Major, Op. 10 No. 10, we can see an evolution of notation that was perhaps going in a similar direction; in that Etude, Chopin removed the initial accents while proofreading the French edition.

Compare the passage in the sources »

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A, Deletions in A

notation: Slurs

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