Page: 
Source: 
p. 1, b. 1-16
p. 1, b. 1-16
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Main text
A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Articulation, Accents, Hairpins
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A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 11

In A (→FE,FCGE1) there is no  raising d2 to d2. In the context of a similar move in b. 3, it is a patent oversight, corrected by the revisers of GE2 and EE. Sharps, coming from Chopin, were added in pencil in FED, FES and FESch; both sharps are also in CXI. On the basis of the poorly legible photocopy of CGS at the disposal of the editors of mUltimate Chopin, it is difficult to clearly interpret the notation of that source; however, it is most likely that they are two sharps.

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category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies, EE revisions, Annotations in FED, GE revisions, Errors of A, Annotations in FES, Annotations in FESch, Errors repeated in GE, Errors repeated in FE

notation: Pitch

Missing markers on sources: CGS, A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, CXI, EE1a