Page: 
Source: 
p. 1, b. 1-16
p. 1, b. 1-16
Main text
Main text
A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 5-6

with bass in A (→FE,FCGE) & EE2

 under semiquaver in CXI

No markings in EE1 & CGS

The placement of the  mark in CXI is probably an inaccuracy. However, if the manuscript was indeed based on a lost authentic source, such a later pedal, resulting in the notes ringing out clearer further on in the bar, could have come from Chopin.
The oversight of the  mark is probably an inaccuracy of the copyist – there is a similar situation in bar 8.
The missing pedalling indications in CGS – see b. 3-4.
The oversight of the engraver of EE1 was rectified in EE2.

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category imprint: Differences between sources

issues: EE revisions, Errors in EE

notation: Pedalling

Missing markers on sources: CGS, A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, CXI, EE1a