Issues : Deletions in A
b. 1
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composition: Op. 28 No. 7, Prelude in A major
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A possible authenticity of the indications of CXI remains purely hypothetical – the only assumption can be a correction, visible in A, of the initial Lento indication. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Deletions in A |
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b. 13-15
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composition: Op. 28 No. 7, Prelude in A major
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In A one can see corrections of the bass notes in b. 13 and 15 – Chopin moved them an octave lower. It is quite a frequent change used by Chopin in the stage of refining his pieces, cf., e.g. the Prelude No. 11 in B Major, b. 13, Lento con gran espressione WN37, b. 1 and 3 or the Etude in A Major, Op. 25 No. 1, b. 1. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes , Bass register changes |
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b. 16
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composition: Op. 28 No. 7, Prelude in A major
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At the end of the Prelude one can see in A a crossed-out pedal release asterisk, which confirms that these quite frequent situations in Chopin's pieces are not accidental inaccuracies of notation. category imprint: Source & stylistic information issues: Deletions in A , No pedal release mark |