mUltimate Chopin

Op. 28 No. 18, Prelude in F minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 11-21
p. 1, b. 1-10
p. 2, b. 11-21
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 17

in A (→FE→EE)

No indication in FC (→GE)

The missing  mark must be Fontana's mistake.

The crossing-out visible in A proves that Chopin initially entered that mark before the f3-f4 octave.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections in A, Deletions in A, Errors of FC

notation: Verbal indications

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, EE1, EE2, GE3, EE1a
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