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Source:
p. 1, b. 1-10
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In A one can see that in b. 5 Chopin initially wanted to lead the L.H. semiquaver sequence to the middle of the bar. He also introduced a similar change into b. 7, in which he started writing L.H. semiquavers from the beginning of the bar.
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category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A
notation: Pitch
Missing markers on sources:
A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, EE1, EE2, GE3, EE1a