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Issues : Inaccuracies in A
b. 8
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composition: Op. 28 No. 18, Prelude in F minor
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In A (→FE), Chopin wrote only a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 12
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composition: Op. 28 No. 18, Prelude in F minor
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In A (→FC,FE1) there are no accidentals before the last semiquaver (in both hands), which, when interpreted literally, gives d1 and d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 13-14
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composition: Op. 28 No. 18, Prelude in F minor
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In the main text we reproduce the notation of A literally, in which cresc. in b. 13 somehow initiates a second wave of growth of dynamics. However, it is likely that Chopin meant it to continue the cresc. that began in b. 9, while its repetition in b. 13 was supposed to remind us what the dashes concern (b. 13 opens a new page in A). Therefore, the version of FE (→EE), in which this is how it was interpreted, may be considered an equal variant. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FC , Inaccuracies in A |
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b. 15
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composition: Op. 28 No. 18, Prelude in F minor
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Fontana's revisions , Inaccuracies in A |
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b. 17
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composition: Op. 28 No. 18, Prelude in F minor
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Fontana's revisions , Inaccuracies in A |