mUltimate Chopin

Op. 28 No. 18, Prelude in F minor

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b. 9

composition: Op. 28 No. 18, Prelude in F minor

in A (→FE→EE)

No marking in FC (→GE)
..

Fontana overlooked  in FC (→GE).

category imprint: Differences between sources

issues: Errors of FC

b. 10

composition: Op. 28 No. 18, Prelude in F minor

Fingering written into FED

No teaching fingering
..

In the main text, we give the fingering written most probably by Chopin into FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 10

composition: Op. 28 No. 18, Prelude in F minor

Fingering written into FED

No teaching fingering
..

In the main text, we give the fingering written most probably by Chopin into FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 11

composition: Op. 28 No. 18, Prelude in F minor

Fingering written into FED

No teaching fingering
..

In the main text, we include the fingering coming from Chopin, and written into FED. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 11-12

composition: Op. 28 No. 18, Prelude in F minor

2 wedges in A, literal reading

Wedge in b. 11 in FC

4 wedges in FE (→EE)

Staccato dot in b. 11 in GE
..

In the main text, we add – as in bars 9-10 – separate wedges to the :\L.H. octaves. In the discussed bars, this notation also occurs in FE (→EE). The mark in b. 12 was overlooked in FC (→GE), and the other (a wedge in b. 11) was reproduced in GE as a staccato dot.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , FE revisions , Wedges , Errors of FC