mUltimate Chopin

Op. 28 No. 17, Prelude in A♭ major

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Page: 
Source: 
p. 1, b. 1-23
p. 1, b. 1-23
p. 2, b. 24-42
p. 3, b. 43-64
p. 4, b. 65-90
Main text
Main text
FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Rhythm
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Articulation, Accents, Hairpins
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FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 21

In FC (→GE) the first c2 note is a dotted crotchet. The mistake was probably provoked by the complicated layout of this bar, in which the d1-f1 third of the 2nd L.H. quaver is written on the top stave next to the c1-g1 fifth of the bottom R.H. voice, thus creating an illusion of a third quaver filling c2 of the top R.H. voice.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Errors of FC, Errors repeated in GE

notation: Rhythm

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, EE1, EE2, FCI, GE3, EE1a
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