Page: 
Source: 
p. 1, b. 1-23
p. 1, b. 1-23
p. 2, b. 24-42
p. 3, b. 43-64
p. 4, b. 65-90
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Main text
FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 19-23

cresc. - - - from bar 20 in FCI

cre - scen - do from bar 19 in A (→FCGE, →FEEE)

If FCI accurately represents the notation of [AI], the stimulus to begin the crescendo was initially the five-quaver ascending L.H. sequence in b. 20. According to us, this version may be considered an acceptable variant; on the basis thereof, one can also shape accordingly the course of the crescendo starting – in accordance with the main text – in b. 19.
We believe that the placement of those indications – over the top stave (in A) or under the bottom one (in FCI) – results from lack of space between the staves; in the case of A the reason were also the crossed-out  and  hairpins, which were initially written there (see the next note).  

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues:

notation: Verbal indications

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, EE1, EE2, FCI, GE3, EE1a