mUltimate Chopin

Op. 28 No. 17, Prelude in A♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 24-42
p. 1, b. 1-23
p. 2, b. 24-42
p. 3, b. 43-64
p. 4, b. 65-90
Main text
Main text
FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 37-42

No markings in A (→FE1,FC→GE)

Pedalling in FE2 (→EE)

The pedal markings added to FE2, probably by Fontana, are a repetition of the authentic pedal markings in analogous b. 5-10 (omission of b. 36 is most probably an oversight). Chopin would often omit pedal markings in repeating fragments in which he had already indicated them the first time, e.g. in b. 11-17, hence we do not include them in the main text.

Compare the passage in the sources»

category imprint: Differences between sources

issues: FE revisions

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, EE1, EE2, FCI, GE3, EE1a
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