mUltimate Chopin

Op. 28 No. 17, Prelude in A♭ major

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Page: 
Source: 
p. 2, b. 24-42
p. 1, b. 1-23
p. 2, b. 24-42
p. 3, b. 43-64
p. 4, b. 65-90
Main text
Main text
FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Articulation, Accents, Hairpins
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Pedalling
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Differences
No differences
FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 35

In FCI the first 2 R.H. quavers, apart from the d1-g1 tritones, include c2 and b1 too. The first of them seems to be inaccurately written, hence it cannot be excluded that it should be interpreted as b1, which would be a counterpart of the melodic line in b. 10 and 65. It cannot be resolved on the basis of the photocopy available to us, hence we give c2, in accordance with the interpretation of that manuscript by other editors, e.g. Paul Badura-Skoda (Peters, E. P. 13178) or Jean-Jacques Eigeldinger, Peters, No. 7532).

Compare the passage in the sources»

category imprint: Corrections & alterations; Source & stylistic information

issues: Main-line changes

notation: Pitch

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, EE1, EE2, FCI, GE3, EE1a
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