Articulation, Accents, Hairpins
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b. 53
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composition: Op. 28 No. 17, Prelude in A♭ major
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The long accent, present only in FCI, may be, according to us, considered a variant complementing the final editing of the Prelude's performance marks. When accented accordingly, the note can be heard despite the crescendo of the sequence of chords in the next bar, leading to in b. 55. Cf., e.g. long accents in b. 57, 59 and 61. category imprint: Differences between sources |
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b. 61-64
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composition: Op. 28 No. 17, Prelude in A♭ major
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In the manuscripts the dynamic indications are placed under the L.H. part, which must have resulted from lack of space between the staves. Due to the abridged notation of these bars in the manuscripts, it is impossible to accurately determine the range of those indications – it differs depending on whether we examine them in relation to the bar lines or the written-down notes. In the final version, the more abundant dynamic indications of FCI were reduced to the indispensable minimum. category imprint: Differences between sources; Corrections & alterations |
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b. 65
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composition: Op. 28 No. 17, Prelude in A♭ major
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The missing staccato dot in the editions resulted from carelessness of the engravers of FE (→EE) and GE. category imprint: Differences between sources issues: Errors in FE , Errors in GE |
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