Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 17, Prelude in A♭ major
At the beginning of b. 79, in FCI we can see a d2 crotchet combined with a tie to a d2 note in the previous bar, while the R.H. part is written down with the use of two-part notation already in this bar. A d2 crotchet is also at the beginning of b. 81, yet there is no d1, 1st bottom voice quaver.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Accompaniment changes, Main-line changes
notation: Pitch