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p. 1, b. 1-39
p. 1, b. 1-39
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1a
EE1a - Corrected impression of EE1
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1a
EE1a - Corrected impression of EE1
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  b. 30

  on 3rd beat in A (→FCGE)

   in FE

  on 2nd beat in EE

( )  suggested by the editors

In the main text we suggest taking into account the pedalling on the 2nd beat of the bar, added in FE (→EE) and generally compliant with the markings in the next, analogous bars (the issue concerning the placement of the last pedal change in this and adjacent bars is discussed in the previous note). As FE1 was corrected by Fontana, and it seems highly unlikely that he would have consulted that addition with Chopin, we put the marks in brackets.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Errors in FE

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a