Page: 
Source: 
p. 1, b. 1-39
p. 1, b. 1-39
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Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1a
EE1a - Corrected impression of EE1
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1a
EE1a - Corrected impression of EE1
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  b. 18-20

Pedalling in A

Pedalling in FC

Pedalling in FE (→EE)

Pedalling in GE

In A the pedalling of these bars, seemingly inconsistent and differing from analog. b. 2-4, could be considered inaccurate, e.g. due to having been written in haste. However, it turns out that if we take into account the R.H. part, the pedalling markings fall almost exactly in the same place as the first time. It seems highly unlikely that it could have been an accident; therefore, Chopin apparently marked pedal changes in this vibrating dominant ninth chord to separate the sections with minor ninth (b1) from the sections with major ninth (b1). This is how we interpret it in the main text. In the remaining sources, the  marks were rather adjusted to the L.H. notes; moreover, GE arbitrarily moved the last change of pedal to the beginning of b. 20.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: GE revisions, Inaccuracies in A

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a