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Issues : Inaccuracies in A
b. 1-5
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composition: Op. 28 No. 5, Prelude in D major
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The differences between the sources result from mistakes and inaccuracies of both the copyist and the engravers of FE and GE. However, the issues concerning the decipherment and the interpretation of A were caused by, e.g. a dense notation, without spaces between the staves – actually, in A there is no space for pedalling markings, added later, which resulted in them being placed inaccurately at times. The interpretation of A given in the main text corrects the position of the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Errors in GE , GE revisions , Inaccuracies in FC , Inaccuracies in A |
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b. 14-16
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composition: Op. 28 No. 5, Prelude in D major
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At times, the pedalling of A is difficult to interpret here due to a dense notation and crossings-out. The category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Errors in EE , Inaccuracies in A |
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b. 17
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composition: Op. 28 No. 5, Prelude in D major
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It is uncertain whether the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccuracies in A |
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b. 18-20
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composition: Op. 28 No. 5, Prelude in D major
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In A the pedalling of these bars, seemingly inconsistent and differing from analog. b. 2-4, could be considered inaccurate, e.g. due to having been written in haste. However, it turns out that if we take into account the R.H. part, the pedalling markings fall almost exactly in the same place as the first time. It seems highly unlikely that it could have been an accident; therefore, Chopin apparently marked pedal changes in this vibrating dominant ninth chord to separate the sections with minor ninth (b category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Inaccuracies in A |